By Uzor Maxim Uzoatu
High jinks going on in all facets of Nigerian life, from brazen kidnappings and robberies to bank heists, make me to recall the many wonderful tales of Cyprian Odiatu Duaka (COD) Ekwensi who died on November 4, 2007.
Ekweni lived a charmed life as a pathfinder in the annals of African literature.
He was arguably the most prolific author in the comity of Nigeria’s melange of writers.
A novelist, short story writer, children’s literature master, journalist, pamphleteer, columnist etc, Ekwensi gave the world a formidable body of work that can never be wished away.
He was a nonpareil craftsman of popular literature.
He got to the heart of his readers without any unnecessary dabbling into obscurantism and self-serving ambiguities.
Born in the North in Minna, in present-day Niger State on September 26, 1921 of Igbo parentage and living most of his life in the Western part of the country, Ekwensi was without question the most Nigerian of our tribe of writers.
He was versed in Igbo, Hausa and Yoruba cultures, as much as he equally dwelt on the life and mores of the so-called minorities.
He deservedly earned his celebration across the length and breadth of the country.
His work has been acknowledged all over the world.
While in Canada, I was told by the distinguished Professor Peter Desberats of the University of Western Ontario that Ekwensi’s Jagua Nana was the only book from Nigeria he had ever read.
Some critics had tagged him Africa’s Daniel Defoe, after the irrepressible author of such classics as Robinson Crusoe and Moll Flanders.
Ekwensi was a progenitor of Onitsha Market Literature.
Back in 1947 he had written When Love Whispers to spur the market literature that flowered in the Nigerian city of Onitsha after the Second World War.
Other early titles of Ekwensi were The Leopard’s Claw and Ikolo the Wrestler.
His novel, People of the City, became one of the pioneer titles of Heinemann’s African Writers Series, such that alongside Chinua Achebe, he gave the world a different view of the canon.
The versatility of Ekwensi can be seen in his novel, Burning Grass, that helped in no small measure to put the Fulani nomads in the global map of literature.
The disease of wanderlust known as “Sokugo” was popularized by Ekwensi.
It is in the documentation of city life that Ekwensi earned lasting plaudits from the literary critics.
Jagua Nana, an archetypal novel from the departed master, deals with the travails of the eponymous ageing prostitute and her tango with the young and dashing Freddie.
The book attracted sustained film interest from overseas, and it was debated in the Nigerian Parliament of the First Republic which stopped its filming by an Italian film company.
Ekwensi eventually wrote a sequel of the novel, Jagua Nana’s Daughter, published by Joop Berkhout’s Spectrum Books, Ibadan.
Ekwensi was a yarn-spinner with legendary page-turning intensity.
The Passport of Mallam Illia remains an everlasting adventure story that grips the reader from the first page to the last.
Ekwensi’s children’s books such as An African Night’s Entertainment and The Drummer Boy were ever-present staples in the secondary school curriculum in Nigeria.
His titles are legion, and a short article like this cannot do justice to the Ekwensi oeuvre. The prolific author maintained his style over the decades and years, not minding the riling of some bookish critics. An old title of his written early in his career but not published, For a Roll of Parchment, was released by Heinemann, Ibadan, and it bore all the hallmarks of the Ekwensi mystique.
For a man who had his training as a pharmacist and worked in forestry, Ekwensi astounded the world with his high literary output.
Even as some critics like Bernth Lindfors had said harsh things about the quality of Ekwensi’s writings, other equally distinguished literary scholars such as Ernest Emenyonu, rose up solidly in defence of the man from Nkwelle-Ezunaka in Anambra State.
Ekwensi maintained a home in the very heart of the city of Lagos, at Ojuelegba Road to the very end.
His service in the public sphere had been stellar.
From 1957 to 1961, he was the Head of Features at the Nigerian Broadcasting Corporation.
He later earned the distinction as the first Nigerian Director of Information in the Federal Ministry of Information.
He was the Director-General of Radio Biafra during the Civil War.
He became the Chairman of the East Central State Library Board after the war. He would later become the Managing Director of the Star Printing and Publishing Company, Enugu, publishers of the Star group of newspapers.
He was appointed Information Commissioner, Anambra State, in 1983.
He reportedly coined the acronym WAI – War Against Indiscipline.
All the kidnappers, robbers, debtors, grabbers and snatchers and runners being paraded all over the nation today are quintessential Ekwensi characters!
He created all of them in his many fictions before he died.
This way, Cyprian Ekwensi can never really die!
Uzor Maxim Uzoatu is the author of God of Poetry
